Festivalul BABEL / Văzut de Codruța Cadar / Teatrolog
iunie 17, 2024
Josef Nadj / Full Moon / Photography by Augustina Iohan
iunie 18, 2024
Full Moon brings together seven of Omma's eight dancers to continue, broaden and deepen the exploration begun with that piece. And Josef Nadj has chosen to join them on stage. The moon in the title refers to the cosmos, to the
formation of the universe, to the process that precedes and anticipates the appearance of life. Associated with renewal and transformation, with its 28-day cycle and four phases, it could also provide the piece with a kind of rhythmic structure, a compositional grid. Nadj's research into the sources and their extension is combined with another avenue, another territory that he wishes to explore in this creation: the world of black American jazz.
Yet another figure is called upon for Full Moon: the puppet, which, like the mask, runs through all of Josef Nadj's work. Envisaged as the junction or tipping point between the inert and the living, the animate and the inanimate, it carries another dimension, another meaning than the "living" body to which it provides a kind of counterpoint. The presence of the puppet, of the "puppet man " alongside the living, thus represents for him the fact that a creation is never perfect, and that it imposes the necessity of accepting the game, even in its imperfection.
Choreography: Josef Nadj
Artistic collaborator: Ivan Fatjo
Costumes: Paula Dartigues
Light: Sylvain Blocquaux
Dancers: Drevy Ivernel Foundou, Abdel Kader Diop, Bi Jean Ronsard Irie, Jean-Paul Mehansio, Boukary Sere, Marius Sawadogo, Timothé Ballo, Josef Nadj
*Coproductions :Montpellier Danse, Le Trident, Scène nationale de Cherbourg, MC 93 Maison de la culture de Seine-Saint-Denis, Bobigny, Charleroi Danse, Le Tropique Atrium, Fort-de-France, Théâtre des Salins, Scène nationale de Martigues, Le Théâtre d'Arles Support :Ministère de la Culture -DRAC Ile de France Action financed by Région Île-de-France
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